Entertainment News Desk !! Deepti Naval (English: Deepti Naval, born 3 February 1952, Amritsar, Punjab) is a famous Indian actress. He is known as an all -rounder. The names of Deepti Naval are included in the famous 80s and 90s. She is also an actress besides poetess, storyteller, singer, photographer and painter. Deepti Naval has appeared in many popular Hindi films. She is known for films like ‘Chashme Baddoor’, ‘Katha’, ‘Mirch Masala’, ‘Angoor’ etc.
Introduction
Deepti Naval was born on 3 February 1952. They are famous for their open thoughts. His childhood was spent in New York, USA, where his father was a teacher at City University. Deepti Naval was fond of acting as well as painting and photography since childhood. She married famous film director Prakash Jha in 1985, but the marriage was not very successful and both were divorced after four years. Deepti Naval has a daughter Disha from Prakash Jha. Deepti Naval meets him as a good friend even after separating from Prakash Jha. Both also went to dinner with their daughter and friend Vinod after divorce. Deepti’s daughter Disha wants to become a singer. She has worked as a costume supervisor in her father’s film politics.
Career
Deepti Naval’s first film was Shyam Benegal’s ‘Junoon’ (1978). Adorned with a very big and celestial starcast, Deepti had a very small role in this film. This was followed by her first film as a lead actress in 1980. The name was- ‘Once again’. It was built on extramarital affairs. It is not difficult to imagine how bold the subject of this film must have been. About this character of ‘Kalpana’ played in ‘Once again’, Deepti Naval once told that for the first time in ‘Once again’, the lead actress was not to satisfy the fantasy of the male audience. The film gave a completely new definition of female characters in Hindi films. This character of Kalpana was a milestone ‘.
He was accompanied by co-actress Suresh Oberoi and Pradeep Verma in this film. It is said that after this film, Deepti Naval opted out of Suresh Oberoi and the distance between the two remained for 4 years. Then the film that came together was the name of ‘Kya Kiya Kare’ (1984). After this, Deepti became synonymous with Naval parallel cinema. According to him- ‘I started with this kind of cinema. My journey was more interesting among all the kind of music films coming in those days. I did films such as ‘Kamala’ (Jagmohan Mudandra), ‘Main Zinda Hoon’ (Sudhir Mishra), ‘Panchvati’ (Basu Bhattacharya) and ‘Anakahi’ (Amol Palekar).
Experience related to the film ‘Anakahi’
Deepti Naval went to a mental hospital to understand her role in ‘Anakahi’ (1985). It was a matter of 1983. Earlier, when Deepti was just 12 years old, she still got the experience of going to the mental asylum. A friend of him was admitted there. Then ten years after Amol Palekar’s film, in 1993, she stayed in Mental Home for two weeks. At that time she was working on a script. Due to his research. Although this script could never be completed, but in an interview to the Telegraph, he told that that experience changed his life.
He started to find the world outside the insane asylum, the world of conscious people, superficial and imaginary. There Deepti also met such people, women who were not crazy but whose family members put them there. Because he had no need in the family anymore. This entire experience was later expressed by Deepti Naval through an English poem- ’The stench of sanity’.
Miss Chamco
Okay listen to ‘Miss Chamko’, you give your democracy.
This was the first time that Siddharth in the film ‘Chashme Baddoor’ calls Neha as ‘Miss Chamko’. In the film, Neha was played by Deepti Naval and Siddharth was played by Farooq Sheikh. Today, even after many years, we do not know that Deepti Naval’s character in ‘Chashme Baddoor’ was Neha. But even today, as soon as ‘Chamko’ is called ‘Chamko’, the character of Deepti Naval, holding a bright washing powder in her hand, becomes alive. The director of this film was Sai Paranjpe. Come from Marathi theater, Sai was known for her arthouse films. He had received the National Award for his first Hindi film ‘Sparsh’ (1980) before directing ‘Chashme Baddoor’.
Uproar of society people
Just thirty -two years after that ‘Chashme Baddoor’, it came in 2013. The 2013 remake was directed by David Dhawan and Deepti Naval played by Taapsee Pannu. When this remake was about to be released, this is a story of the same time. It happened that along with the release of David’s ‘Chashme Baddoor’, the film ‘Chashme Baddoor’ with Old, Saye Paranjpe was also going to be re-localized. On this issue, Deepti came to meet Naval at her house. In the sixth floor of ‘Oceanic Apartment’. At that time, there was also Farooq Sheikh at his house. Right now the talks were going on with the journalists that the people living in the society where Deepti had home came into Deepti’s house and stopped the interview. He felt that this is not an interview, but the scene of a film. The uproar arose. The society people were not ready to hear anything. When Deepti said that this is an interview, he said that taking interview is also against the rules of the society.
Well, Deepti Naval had to leave the house unnecessarily embarrassed. Where it was more than 30 years since Deepti lived. Talking to Times of India over this whole sentence, Deepti Naval had told that- ‘I had come to live in that apartment when no one had the courage to live there. I have also held many parties and press conferences there. This was the first time that I was made to feel that I was running a graphlase. I did not feel so embarrassed in my life ‘.
When this story appeared in the newspaper, she was in favor of Deepti, but it was headed- ‘I am not running any prostitute racket: Deepti Naval’. Many newspapers and web news portals raised the news, considering this news of Times of India as primary sources and during this time many portals did not take the job of reading the entire news. For the next few days, the news continued that Deepti has been accused by the society that she runs a sex racket.
Cinema flashlight bearer
An arthouse cinema was standing in Parallel of Mainstream Cinema. This period was called ‘The Indian Parallel Film Movement’. Deepti Naval, Shabana Azmi and Smita Patil became the flag bearer of this movement. Pictures of the three appeared in the stardust cover. The heading was- ‘New Wave Glamor Queen’s’. However, Smita and Deepti did just one film together. Ketan Mehta’s ‘Mirch Masala’ came in 1985. But talks about their friendship till date. Smita was just 31 years old when he passed away. The Society once told Hindustan Times that- ‘I miss Smita Patil a lot. I used to be able to relate myself with them ‘.
Smita and me
The society also wrote a poem for Smita Patil in English. In this small poem named ‘Smita and I’, Deepti wrote that she often met Smita when she had to take a flight together, had to go on a journey. This is probably a metaphor, that Deepti and Smita spent the journey of life together, like friends. Between all the physical and fake things, there was each other’s support and touch, which was real, true. Deepti writes that when she was about to take the last flight with Smita, she asked Smita, ‘Can there be no other way to live life?’
Smita remained silent for some time and then said- ‘No, there can be no other way to live’.
Another poem written by Deepti Naval is ‘White paper on water’
White paper on water
I have written your name Ek Nazm
When the moon will be guarded on the nights
When all ages
One will get in the moments
Under the blind
When like glass threads
On the surface of the water
Silence will be shocked
And will move on that edge of the lake
Sixteen shadows of the moon
I will tell you sitting across this
White paper on water
I have written your name
