The latest name Manoj Bajpayee has been added to those who praise South films. In an interview, he said that Bollywood is scared of the success of South films. Manoj said that everyone is shaken by the success of KGF Chapter 2, RRR and Pushpa. Also said that Bollywood should learn at the earliest. He also enumerated the merits of South Cinema. Let us tell you that South films are consistently giving excellent performance in the English belt. At the same time, Bollywood films releasing together are not getting audience. There is a flutter in both the English and South industries regarding this.
Said, I do not understand what to do
Allu Arjun’s film Pushpa earned a bumper in the English belt after the COVID cases were reduced. After this SS Rajamouli’s film RRR and KGF Chapter 2 broke many records. The English versions of both the films have earned 300 crores and the audience is still reaching the theatres. recently Filmmaker Ram Gopal Varma tweeted Said that the North ones are burning with the South ones. Now Manoj Bajpayee said in a conversation with Delhi Times, so many blockbusters are happening, forget Manoj Bajpayee and others like me for a minute, the mainstream filmmakers of Mumbai film industry are stunned. They do not understand what to do.
English is not earning as much as dubbed films
Manoj Bajpayee openly talks about why films like KGF 2 and RRR are earning Rs 300 crores despite dubbing in English while Sooryavanshi is not earning even 200 crores. Manoj believes that one should learn from the success of these films. Manoj Bajpayee said, they are passionate, and shoot every shot as if giving the best shot in the world. Do every shot as if you have imagined it. Not everyone imposes on the audience. Because they give a lot of respect to their audience.
Manoj said – learn film making
If you look at Pushpa, RRR and KGF, it is a clear cut. Every frame has been shot like a life-and-death situation. This is where we make a mistake. We have made main stream films only to earn money at the box office. If we are not able to criticize them, then we start calling them ‘different’. But this is a lesson for the mainstream filmmakers of the Mumbai industry on how to make mainstream cinema.