Famous Hindi litterateur, successful editor, Sanskrit publisher was a scholar and well-known linguist. Vidyanivas Mishra, who had eradicated Hindi literature with his fine essays and the fragrance of folk life, was a litterateur who spent modern ideas in traditional thinking. According to literature critics, Sanskrit penetrating Mishra Ji always gave importance to the words of Aanchalic dialects in Hindi. According to Vidyanivas Mishra- “If the words of the regional dialects are encouraged in Hindi, then the rough official language can be avoided, which is very Sanskrit.” The Government of India also honored him with ‘Padma Shri’ and ‘Padma Bhushan’ for the unprecedented contribution of Mishra ji.
Birth and education
Kushal Shilpi Pandit Vidyanivas Mishra, who brought the tradition of the fine Nibandha of Hindi to the summit of advancement, was born on January 28, 1926 in Pakddiha village, Gorakhpur (Uttar Pradesh). He was always anxious towards his dialect and culture. In 1945, after taking the degree of postgraduate and doctorate from ‘Allahabad University’, Vidyanivas Mishra did teaching work in Agra, Gorakhpur, California and Washington University for many years. He was also the Vice Chancellor of the country’s prestigious ‘Sampurnanand Sanskrit University’ and ‘Kashi Vidyapeeth’. After this, he worked in the Information Department of All India Radio and Uttar Pradesh for many years.
Fine Essay Writing
The fine Nibandas of Vidyanivas Mishra begin from 1956 AD. But your first essay collection came to light in 1976 AD. He apprised the Hindi world about the Lalit Nibandha tradition. Among the nibbands published under the title ‘Tum Chandan Hum Pani’, the use of Sanskrit literature became more and due to the tendency of divisional performance, the letter was suppressed, which was found in your first two works. The third Nibandh collection ‘Angan Ka Pachhi and Banjar Mana’ changed. This fact itself accepts the right- “Chitwan ki shadh ‘is the gift of my alcoholic days,’ Kadam ki phali dal ‘is the fruit of my distressed migration, which has later become the housing, and’ you are the world and we water ‘My Sanskrit is a gift of explosion, now the fourth collection is in your hands, it is also the title of dilemma. .In the mind where the mind became a bird of the fire ‘, his Banjara Mana’ also kept in the past and innocent directions.
Literary creator
Vidyivas Mishra, the creator of Hindi literature, gave new dimensions to the mode of fine essay of literature. The genre of fine essay in Hindi was started by Pratap Narayan Mishra and Balakrishna Bhatt, but it would be appropriate to call it a foresight of fine essays. Talking about the popular names of the genre of fine essay, Hazari Prasad Dwivedi, Vidyanivas Mishra and Kuberanath Rai etc. have been famous names. But if we talk about the effectiveness of elegance and style and the abundance of magnitude, then Vidyanivas Mishra has been a pioneer than all of them. Fine Essay is the most important part of Vidyanivas Mishra’s literature. The number of collections of his fine essays is also more than 25.
Essay on mythological subjects
Folk culture and folk minds were integral parts of his fine essays, the spray of mythology and teachings on it also made his fine essays more flowing. His major fine essay collections are ‘Radha Madhav Rangi’, ‘Mere Ram’s crown is wet’, ‘Shaifali water is’, ‘Chitwan ki chhanh’, ‘Banjara mana’, ‘tum sandan hum pani’, Poetry of Mahabharata ‘,’ Letter of conflict ‘,’ Vasant has come but no fetch ‘and’ open sky of literature ‘etc. Vidyanivas Mishra had a special attachment to the spring, the description of Riticharya in his fine essays gave vibrations to his essays. In his essay compilation ‘Fagun Dui Re Dina’ written on spring, he writes on ‘Shivratri’ in an essay written with ‘put your ego in it’, while explaining the festivals of Vasant.
“Shiva is a great traveler in our stories. Just when he came to mind, the burden on the bull and Parvati came out with, in Bauraha disguised. Carry in hand. What is this beggar? “
After this, Vidyanivas Mishra ji writes- while explaining these lines-
“Yes, the beg that it is begging is begging. Bring, put your ego in it. He does not get begging everywhere. Sometimes he gives a lot of opulence and Parvati is deteriorated. Do you give to the ineligible Shiva laughs, knows the speed of this opulence, what is the speed of the item, ask Ravana, ask Banasura.
Explaining the justification of these lines, Mishra ji writes-
“Parvati teases why do you make those who persecute the gods so much? Shiva wakes up, if they do not make them proud, then the gods become lazy, they have to do something to shock them.”
This is Mishra ji’s own origin, the episodes are mythological, but apply to the present. Referring to the Purana stories, Vidyanivas Mishra has tried to explain the heart of Indian culture to the readers of literature.[2]
Contribution
The fine essays of Vidyanivas Mishra gives the synergy of unique beauty of life philosophy, culture, tradition and nature. The description of the spring between all this makes their fine essays more rasmal. Vidyanivas, who contributed his contribution to literature through fine essays, always struggled for the prestige of Hindi, the presence of Mishra in many Hindi conferences from Mauritius to Suriname strengthened the struggle of Hindi. His books like Hindi word wealth, Hindi and Hum, Hindi, Hindi and adults, like the world, expanded the scope of communication of Hindi. Bharatendu Harishchandra, including Tulsidas and Surdas, edited the works of Harishchandra Agnayya, Kabir, Rasakhan, Raidas, Rahim and Rahul Sankrityayan and gave abaraps to Hindi literature.
Culture and art penetrating
Vidyanivas Mishra was a penetrating art and Indian culture. Vidyanivas Mishra, who studied Khajuraho’s painting with subtlety and rationality, was Vidyanivas Mishra. Often Indian thinkers could not give any concrete logical response to the artifacts of Khajuraho while talking to foreign scholars. Vidyanivas ji, through his interpretation, clarified the concept of artifacts of Khajuraho-
“Gemini is the only means, not practicable. The center of archana of the seeker is in the womb of the lonely statue. The expression is full of arts, which is the last culmination. Among the beliefs that are there, the last step before attaining salvation is work. “
He said that it is our moral weakness that we find the image of distorted sexuality in the artifacts of Khajuraho. Female men are eternal, with whose cooperation the creation is popular. In the 1990s, Mishra took responsibility as the editor of ‘Navbharat Times’. In the era of liberalization, Mishra, one of the important journalists who pursue Khanty Hindi journalism, got ‘Navbharat Times’ a new identity as a prestigious newspaper of Hindi. He was always conscious about journalistic religion and its boundaries. He often used to say that- “The work of the media is definitely to tell the heroes, but it is not the work of the media to make a hero.”[2]
Lecture on AIR
The literary world of Jaipur is not forgotten even today that on the invitation of Akashvani Jaipur, Mishra Ji had given two lectures on ‘Sadhuman’ and ‘Lokmat’ in Rajendra Prasad Memorial Lecture Mala of All India Radio on 30 November and 1 December, whose style Fine was like essays and whose source of inspiration was, that half of Tulsi’s psyche is’ Tarat Vinay Regards Trying Thinking. Karb Sadhumat Lokmat Drapanayatim Nalori. ‘ Both of these lectures were published later in the essay collection titled ‘Swaroop Discussion’. Similarly, with the inspiration of Karpur Chandra Kulish, a noted editor of Jaipur and scholar of Ved Sciences, ‘Bharatiya Sahitya Parishad’ was given lectures on the song ‘Govind’ in Jaipur. Lectures on ‘Geet Govind’ were also held in Kolkata. The edited and an active form of all this is his famous book “Radha Madhav Rang Rangi.” This entire book is written in the style of fine essay.
Compositions
Following are the main compositions of Vidyanivas Mishra-
Essay collection
‘Chitwan ki Chhah’ (1976), ‘Tum Chandan Hum Pani’, ‘Angan Ki Bird and Banjar Mana’, ‘Kadam Ki Fuli Pauli’.
Other
‘Hindi Aur Hum’, ‘Regulation of Hindi literature’, ‘concern of literature’, ‘person vicious’, ‘Vikic poem Bhojpuri (No)’, ‘Vachik Kavita Awadhi (No.)’, ‘Vowel of Lok and Lok’, ‘Radha Madhav Rangi’, ‘Rahiman Pani Rakhia’, ‘Ghramranand Ka Pachra’, ‘Basant of Indian Culture’, ‘Basant Aaye but no Utana’, ‘Fagun Dui Re Dina’, ‘Hindi word wealth’.
Awards and honors
Vidyanivas Mishra also took the responsibility of editor of ‘Navbharat Times’ newspaper for a few years. He was given the ‘Murtidevi Award’ of ‘Bharatiya Jnanpith’, K.K. Of. The ‘Shankar Samman’ of the Birla Foundation was awarded. The Government of India also honored him with ‘Padma Shri’ and ‘Padma Bhushan’. He was nominated as a member of the Rajya Sabha during the NDA (National Democratic Alliance) rule.
Death
‘Padma Bhushan’ Vidyanivas Mishra, working as a Rajya Sabha MP, died on February 14, 2005 at the age of eighty due to a road accident. At that time, it was only natural for the literary world to realize that the pioneer of the fine essays of Hindi went untimely.